NaHaiWriMo daily writing prompter for October 2017 and October 2025
1. How did you get started with haiku?
I usually write in a variety styles. Before haiku I was writing tanka, but after reading so much haiku in journals I was won over. I wanted to condense my thoughts further; to create little mosaics where readers could dream their own meanings into the words. Now I write in both forms as well as free verse and other longer forms. Writing haiku and reading each day keeps me going. We can’t become good poets without appreciating the craft of others. NaHaiWriMo has kept me on track with its smorgasbord of prompts. I’m also a member of several haiku societies, including the wonderful Australian Haiku Society.
2. Tell us more about yourself.
I’m an Australian poet and musicologist. With a background in performing arts, it lights me up to work with other artists. Recently I completed an ekphrastic haiku collaboration with Painting with Parkinsons artists and two calligraphers, Angela Hillier and Narelle Jones. Now I’m collaborating with a scratch-work artist. You’ll find some examples of my collaborative work on Hazel Hall Australian Poet.
3. What does NaHaiWriMo mean to you?
First, thanks to Michael Dylan Welch for making this site available and inviting me on board. I don’t think I’d be a publishing haiku poet if it were not for NaHaiWriMo. It was the first online haiku site I joined. It has also made me a better all-round poet. A number of poems in my collection Eggshell Sky come straight from NaHaWriMo prompts!
4. What one piece of advice would you offer to those who are new to writing haiku?
If you’re new to haiku I would definitely suggest NaHaiWriMo as a way of polishing your practise. You might like to buy a diary with seven days across a double page and devote it to haiku. Take the NaHaiWriMo challenge and write one haiku (or more) daily. A diary space will hold about four drafts. If you can’t think of a poem for the prompt write something else. Keep the diary and all drafts! Even if your work isn’t accepted for publication immediately, it will be full of many embryos waiting to be born later. And don’t forget to read all the other in-depth articles on haiku on the NaHaiWriMo site!
5. Please share three of your favourite or best haiku.
foreign zoo
the laughing kookaburra
doesn’t laugh
air on a g string
the scribbled manuscript
of a grey shrike thrush
street sweeper
carrying his karma
in a barrow
1. How did you get started with haiku?
I was writing tanka for some time before I began writing haiku. Japanese forms are sparce and subtle. Some tanka are “ugly ducklings”—bloated with unnecessary words. If these are removed, then haiku can emerge from the trimmed tanka-like swans. I keep going to sharpen my writing.
2. Tell us more about yourself.
I’m a retired music teacher and lecturer in musicology, specialising in eastern cultures. My husband and I live in the Australian Capital Territory. We have backpacked around the world. After retiring, we both graduated in health science and ran a home clinic. I share the same name as Hazel Hall, the American poet sometimes known as “The Emily from Oregon” and enjoy researching her work. See more of my own work on my blog.
3. What does NaHaiWriMo mean to you?
I think writing to prompts is a great way to keep the creative process flowing. Haiku is one of the most difficult poetic forms to write. I like to think that serious haiku is a way of communicating an important truth in the most subtle way possible. To gain that depth and brevity at the same time is an essential skill for writing longer poems. Something I continue to hone. Sometimes I write rubbish. But other times I surprise myself. The important thing is to recognise the rubbish and either dispose of it or rewrite.
4. What one piece of advice would you offer to those who are new to writing haiku?
Read as much as you can. There are plenty of great articles on haiku. I would recommend “Haiku as Poetic Spell” by Martin Lucas. Go to the Graceguts.com site to find it. Follow the prompts on NaHaiWriMo. If you can, join a haiku workshop group to hone your skills. Read as much haiku as you can and hone your haiku.
5. Please share three of your favourite or best haiku.
dog star dawn
the farmer’s whistle
far and wide
evenfall
the silver slipstream
of a swan
tamuke
in the notes of the flute
his father’s voice